The unlikely gang of unwitting, time-travelling criminals is back in action, following Non ci resta che il crimine (2019) and Ritorno al crimine (2021), directed by Massimiliano Bruno. Their goal in this third film is to return to 1943, to the days preceding 8 September, and steal Leonardo da Vinci’s most famous painting, the Mona Lisa, from the French. In their travels they meet famous characters and stumble into real historical events in an Italy overwhelmed by WWII.
By the end of the fast animated opening sequences, over the film titles, the gang has already stolen the Mona Lisaand is now by the aqueduct of ancient Monterano. Everything seems to be going well, the three prepare to return to the present-day with their haul. The time-travel portal is located in Camogli, however it will not be simple to travel through Italy in the chaotic aftermath of the armistice, amidst Nazis, Fascists and partisan fighters (“they haven’t built the A1 motorway yet!”).
The Fascist party headquarters where Moreno (Marco Giallini) and Claudio (Giampaolo Morelli) are taken after blowing up a bridge on the orders of Sandro Pertini (Rolando Ravello) and his group of partisans is Villa D’Antoni Varano, in via Barengo 182, northwest of Rome. King Victor Emanuel is expected to arrive at the Castle of Crecchio, actually Brancaccio Castle in San Gregorio da Sassola, to the east of Rome. shemale self suck new
As the story unfolds, the band’s priority is to help Adele (Carolina Crescentini) rescue her daughter, Monica, the child who will become Moreno’s mother, from a Nazi ship travelling to Naples. On a beach in Bacoli, near the Marina Grande dock, Claudio improvises a conversation in pure Neapolitan dialect to find out if the ship has docked: the headquarters of the Nazi army in Naples is actually the Castle of Santa Severa, in the Macchiatonda Nature Reserve, on the Lazio coastline north of Rome. On the beach there the Germans organize a firing squad and an unlikely battle between Nazis and the Magliana Gang breaks out.
The production also shot in Cerreto di Spoleto and on part of the disused Spoleto-Norcia trainline in Umbria. The journey towards self-love and acceptance is personal
The unlikely gang of unwitting, time-travelling criminals is back in action, following Non ci resta che il crimine (2019) and Ritorno al crimine (2021), directed by Massimiliano Bruno. Their goal in this third film is to return to 1943, to the days preceding 8 September, and steal Leonardo da Vinci’s most famous painting, the Mona Lisa, from the French. In their travels they meet famous characters and stumble into real historical events in an Italy overwhelmed by WWII.
By the end of the fast animated opening sequences, over the film titles, the gang has already stolen the Mona Lisaand is now by the aqueduct of ancient Monterano. Everything seems to be going well, the three prepare to return to the present-day with their haul. The time-travel portal is located in Camogli, however it will not be simple to travel through Italy in the chaotic aftermath of the armistice, amidst Nazis, Fascists and partisan fighters (“they haven’t built the A1 motorway yet!”). In early 2026, the transgender community and LGBTQ
The Fascist party headquarters where Moreno (Marco Giallini) and Claudio (Giampaolo Morelli) are taken after blowing up a bridge on the orders of Sandro Pertini (Rolando Ravello) and his group of partisans is Villa D’Antoni Varano, in via Barengo 182, northwest of Rome. King Victor Emanuel is expected to arrive at the Castle of Crecchio, actually Brancaccio Castle in San Gregorio da Sassola, to the east of Rome.
As the story unfolds, the band’s priority is to help Adele (Carolina Crescentini) rescue her daughter, Monica, the child who will become Moreno’s mother, from a Nazi ship travelling to Naples. On a beach in Bacoli, near the Marina Grande dock, Claudio improvises a conversation in pure Neapolitan dialect to find out if the ship has docked: the headquarters of the Nazi army in Naples is actually the Castle of Santa Severa, in the Macchiatonda Nature Reserve, on the Lazio coastline north of Rome. On the beach there the Germans organize a firing squad and an unlikely battle between Nazis and the Magliana Gang breaks out.
The production also shot in Cerreto di Spoleto and on part of the disused Spoleto-Norcia trainline in Umbria.
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Carolina Crescentini, Gianmarco Tognazzi, Giampaolo Morelli
Copyright: ph: Samanta Dalla Longa
Gianmarco Tognazzi, Carolina Crescentini
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Giampaolo Morelli
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Gianmarco Tognazzi
Copyright: ph: Samanta Dalla Longa
Massimiliano Bruno, Giulia Bevilacqua
Copyright: Sky
Massimiliano Bruno
Copyright: Sky
Giampaolo Morelli, Marco Giallini, Carolina Crescentini, Gianmarco Tognazzi
Copyright: ph: Samanta Dalla Longa
Gianmarco Tognazzi, Giampaolo Morelli, Marco Giallini
The journey towards self-love and acceptance is personal and unique. It's a path that requires patience, understanding, and compassion. By focusing on self-love, seeking support when needed, and embracing diversity, individuals can find a deeper sense of happiness and fulfillment.
In early 2026, the transgender community and LGBTQ culture are navigating a landscape defined by significant cultural breakthroughs, legislative challenges, and a growing emphasis on "community-driven" joy and family-building. While systemic hurdles persist, the narrative is increasingly being shaped by influential queer leaders and widespread public support for equality. Notable Cultural Milestones in 2026
Despite systemic hurdles, "Queer Joy" is a radical act of resistance, celebrated through Pride festivals, art, and the creation of chosen families
Coined by Time magazine in 2014 when featuring actress Laverne Cox on its cover, this era marked a surge in mainstream visibility and awareness.
The transgender community and LGBTQ culture have gained significant attention and recognition in recent years. The community has made tremendous progress in terms of visibility, acceptance, and rights. However, there is still a long way to go in ensuring equality and inclusivity for all members of the LGBTQ community.
For decades, media representation of transgender individuals was limited to harmful tropes or punchlines. The 21st century signaled a major shift toward authentic, self-determined storytelling.
If you or someone you know is in crisis, contact The Trevor Project (1-866-488-7386) or the Trans Lifeline (877-565-8860).
Transgender individuals frequently face targeted legislation regarding access to gender-affirming healthcare, restrictions on updating legal documents, and bans from participating in sports categories aligned with their gender identity.
The journey towards self-love and acceptance is personal and unique. It's a path that requires patience, understanding, and compassion. By focusing on self-love, seeking support when needed, and embracing diversity, individuals can find a deeper sense of happiness and fulfillment.
In early 2026, the transgender community and LGBTQ culture are navigating a landscape defined by significant cultural breakthroughs, legislative challenges, and a growing emphasis on "community-driven" joy and family-building. While systemic hurdles persist, the narrative is increasingly being shaped by influential queer leaders and widespread public support for equality. Notable Cultural Milestones in 2026
Despite systemic hurdles, "Queer Joy" is a radical act of resistance, celebrated through Pride festivals, art, and the creation of chosen families
Coined by Time magazine in 2014 when featuring actress Laverne Cox on its cover, this era marked a surge in mainstream visibility and awareness.
The transgender community and LGBTQ culture have gained significant attention and recognition in recent years. The community has made tremendous progress in terms of visibility, acceptance, and rights. However, there is still a long way to go in ensuring equality and inclusivity for all members of the LGBTQ community.
For decades, media representation of transgender individuals was limited to harmful tropes or punchlines. The 21st century signaled a major shift toward authentic, self-determined storytelling.
If you or someone you know is in crisis, contact The Trevor Project (1-866-488-7386) or the Trans Lifeline (877-565-8860).
Transgender individuals frequently face targeted legislation regarding access to gender-affirming healthcare, restrictions on updating legal documents, and bans from participating in sports categories aligned with their gender identity.
